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Esoteric Sequences

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Number patterns and potential uses.

Evens and Odds

       These are the two primary structures in all of numerics, the evens and odds, 0's and 1's, negatives and positives. Each has a special sequence of numbers within them. Prime numbers for the odd sequence, which are only divisible by themselves, and the perfect even sequence used in binary, which are only divisible amongst themselves. All other numbers are hybrids of evens and odds. This notion becomes visible when you square individual numbers. The numbers being used always control the patterning and sub-fractals of the prime factors involved can be easily incorporated to squares.
       Interesting to acknowledge is the fact that there are three different potentials when adding evens and odds. Two evens equal an even number, two odds equal and even number, but one even and one odd equal an odd number. 2 to 1 odds or two thirds in favor of even.

The Fibonacci Sequence

       There is still some debate as to how the beginning of the sequence should occur, but in my translation and understanding, 0 is a number and should be accounted for. As it stands, many scholars contest that the sequence should start with 1 and then be followed by a second 1 and then the 2, etc. The reasoning being that the sequence relies on the addition of successive pairs of numbers. 1+1 = 2, 2+3 = 5, 3+5 = 8, etc. This thinking also defies the numbering. 1 only occurs once in the natural order of numbers, not twice. Also, 0 and 1 = 2 digits, so it is arguable to say that 0+1 = 2. 0 figures in to different patterns in math, primarily binary, but also into magic squares. I have found other sequences as well that give relevance to the number 0.
       An interesting pattern to be found within the Fibonacci sequence itself, which proves the existence and need for a number in the position before 1, is the fact that if you were to count out the positions sequentially, the successive numbers will be divisible by the original number in the sub-sequence. For example the number 5 happens to be the fifth number in the sequence. 0, 1, 2, 3, 5. If you count out every fifth number in the Fibonacci sequence, it will be divisible by 5. If you pick the 8, which is in the sixth position, every sixth number is divisible by 8. 13 becomes the seventh number, and every seventh number from 13 is divisible by 13, and so on. This doesn't prove that 0 is the first number, but it does prove that the 0, 1, 1, 2,... theory is wrong and that there is only one digit before the 1. This I have to leave to the discretion of the reader, but it is the concept that I will continue to follow until proven otherwise.

Phi

       In the Fibonacci sequence, the lower number in each pair divides into the higher number to create a consistant number near equal to 1.618 on the average. Our modern understanding of phi has been translated into the equation, 1 plus the square root of 5 divided by 2 to equal 1.618... The sequencing occurs in numerous circumstances in physical life and is highly documented. The most essential structuring is in the manifestation of energy itself along these lines. The logarithmic spiral that is phi can be located in whirlpools, tornadoes, hurricanes, and even galaxies, as well as land formations. It is speculated that electricity is also a very tightly compacted vortice, always manifesting at its tightest point. In a lightning strike or tornado, this would be from the ground up.

Binary

Example
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       I've written a lot about this sequence already with disregard to those who may not know or understand how binary works. I marvelled for years at how the entire number system could be broken down into a simple series of 0's and 1's, and always thought I had to be a mathematical genius to understand it. When, in reality, it is quite simple.
       In an 8-bit, system you are given 8 positions. Traditionally, binary is written from right to left. So, picture 8 boxes, each with a preassigned number. The numbers used are 0/1, 2, 4, 8, 16, 32, 64, 128, and just keep doubling the numbers as needed. (0 and 1 occupy the same place.). In an 8-bit scenario, you can find any number in between by simply adding the highest numbers in the sequence without going over your target number. Once you find the numbers you need to use to add to your number, you simply put a 1 in those positions and fill the rest of the unused spaces with 0's. For example, 72: 64 is the closest number in the sequence without going over, so this would be the first space to place a 1. After that, all you need is an 8, so you place a 1 in that position. Now fill in the rest of the spaces in between with 0's and you have your answer. 72 in binary = 1001000.
       The numbers used in the sequence are actually perfect evens. These numbers are the only even numbers that cannot be divided by an odd number higher than 1. Also, they can only be divided by the numbers before them in the sequence.
       The knowledge of this pattern spans the globe in ancient times, from India to Egypt to China, and was actually translated from I-Ching by Gottfried Leibnitz in the early 1700's to give us our modern binary system.

Anonymous Centering Sequence

       There is still another sequence unaccounted for that needs attention. It works off the number 7 and produces an interesting and relevant number sequence similar to the ones described above. It goes as follows: 1, 4, 7, 13, 25, 49, 97, 193, 385, 769, etc. Each number is actually the center number of the next number in the pattern. All odd numbers have a center number as I will call them. For example: the center number for 5 is 3. You'll have two numbers before and after the 3. The center of 7 is 4, three numbers before and after 4. The center of 9 is 5, with four numbers before and after 5, etc.
       The more important numbers here are 193 and 385. If you were to add all of the numbers 1 through 193, the sum is 18721. In the I-Ching, 192 positives and 192 negatives are incorporated for a grand total of 384 total negatives and positives in the entire structure. 18720 is a fractal of the Mayan numbering system and is divisible by 64 different numbers and 64x3 = 192.
       The 7's and 13's figure strongly in the Mayan Tzolkin as well, and I think most people understand the relevance of the number 25 because of its consistant use globally in the decimal system.
       49 as the square of 7 falls into place and strengthens the 7 and its importance. Remember also that 0 through 7 is counted out as the only possible combinations in the 3-bit structure in Octal math and the I-Ching, and I find consistent praise in the ancient world for the number 7.
       If you were to start the sequence on 0 it would read as follows: 0, 3, 6, 12, 24, 48, 96, 192, 384, 768, etc. Here, it is mimicing the doubling sequence in binary and the 0 has to be acknowledged as a position in the sequence, just with no value. The amount of numbers stays the same.
       When setting the I-Ching to its binary magic square format, each row will contain 48 negatives and positives (24 of each). If used in the DNA definitions, you would have 96 base pairings per line in the magic square. Which ultimately means 3 base pairs per trigram, 6 per hexagram, 12 per number pairing, 24 negative and positive pairings for 48 total per line, making 96 bases per line, at 192 negative and positive pairs per 64 hexagram structure, for a grand total of 384 negative and positive base pairings. 384x2 = 768, which would be the total amount of bases per 8x8 format.

Octaves

       Any musician and music lover alike can appreciate the octave scale. It also makes for easy math when dividing whole numbers by 8. The .125, .25, .375, .5, .625, .75, .875 occur consistently when dividing numbers by 8. Consequently, 5 squared equals 125. A fractal of this number is 12.5, which is the center of the 13. Another fractal being .125, which is one eighth of one. And so, you have the numbers 5, 8, and 13 interworking amongst themselves to create the octave system.
       In music, 13 tones are incorporated with the octave scaling to produce the music you hear.
       Technically, 1.625 is phi, and this portion of the Fibonacci system figures prominantly into the Mayan number system.
- .125x13 = 1.625, or 13 eighths.
- .125x20 = 2.5
- 1.625:2.5 = 13:20
       Many physicists today will tell you that the entire universe is actually an ongoing song and all of physical reality is created by vibrations that can be translated into musical tones or notes, as well as colors, which are known to be created by certain levels of vibration.

The Turtle Shell

The Maya revere a place called Turtle Island
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* Ancient divination was often etched on turtle shells.

       The uses of turtle shells in the ancient world have varied, but often times they have been inscribed with important texts and symbology. As stated, the Lo Shu magic square was found inscribed on the inside of a turtle shell. I-Ching divinations were also written into shells. And the Maya claimed that their ancestors came from a place called Turtle Island. I found in studying the patterns in these shells, that every species has this numerical arrangement of plates on their backs. From young to old, species to species, they do not grow more plates (except in size), there is always the same count of 25 smaller perimeter plates, and 13 larger back plates, with the twentyfifth plate, which centers over the head, being more like two fused plates to complete the ring.

The Great Pyramid of Giza

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* Not far off from the Great Pyramid in Giza

       I can only touch on the subject of the Great Pyramid of Giza. As much as I'm endeared to the concept, there are still unproven facts behind the creation and ultimate need for such a stucture. I support Christopher Dunn's hypothesis (as well as others) who believe the pyramid was in fact a power plant. The precision and physics that went into its creation defy even today's modern technology and I question our ability to replicate it with modern tools and machinery. You are certainly not going to force slaves to work with such precision and with such archaeic tools.
       Beyond construction methods, means and ends, I have become more interested in the numerical properties involved. The actual pyramid itself was approximately 20.5x20.5x13 in dimensions. The 5125 number appears here again. As with the Mayan Buk Xok an octave of 41 is used.
- 41/8 = 5.125
- 5.125x4 = 20.5
       Phi,  in the Fibonacci understanding, is also found in the dimensions right down to the individual blocks that were made to create the pyramid. The general dimensions of the larger blocks are broken down to 5'x8'x12' (Fibonacci?, as with the Mayan Tzolkin, the high number has been cut back a digit).
- 8.45x7.2 = 60.84
- 13x7.2 = 93.6
- 20x7.2 = 144
- 60.84"x93.6"x144" = 5.07'x7.8'x12'
- 5.07/2 = 2.535 = near one inch in centimeters
- 7.8hz is Earth's resonance
- 12x12 = 144 = Fibonacci number
- 144000 = harmonic of light
- 8.45x13x20 = 2197 = 13 cubed
- 8x13x20 = 2080
- Add 1 through 64 = 2080
- The length of one ascending edge of the pyramid is now in proportion to approximately 19.4711 (near the vesica pisces dimensions).

The Roman Colosseum

The Colosseum
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13 x 20 Inner Bowl

       The innermost bowl of the Roman Colosseum is in proportion to the 13:20 ratio. As illustrated above, the red ovals are 13:20 and basic geometry builds the rest of the design. Amphitheaters such as this appear world wide and are specifically designed to amplify sound, hence the name. Could this be a reference to acoustic tonality and its application and harnessing?

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